| 26216 |
Castillo-Tejero, N. |
5472 |
Museum |
Keeping a record of the cultural heritage in the National Museum of Anthropology, Mexico City |
|
|
|
30 |
44259 |
|
179-184 |
|
|
| 26217 |
Graedel, T.E. |
21201 |
Corrosion science |
Copper patinas formed in the atmosphere: II. A qualitative assessment of mechanisms |
|
|
|
27 |
7 |
|
721-740 |
|
English |
| 26218 |
Nassau, K.; Miller, A.E.; Graedel, T.E. |
21195 |
Corrosion science |
The reaction of simulated rain with copper, copper patina and some copper compounds |
|
|
|
27 |
7 |
|
703-719 |
|
English |
| 26219 |
Muller, A.; McCrory-Joy, A. |
21193 |
Corrosion science |
Chromatographic analysis of copper patinas formed in the atmosphere |
|
|
|
27 |
7 |
|
695-701 |
|
English |
| 2622 |
Lewis, D.M. |
34953 |
Wool Science Review |
The Development and Application of Reactive Dyes for Wool. Part 2: Reaction mechanisms: various practical dyeing procedures |
|
|
|
50 |
|
|
22-39 |
|
English |
| 26220 |
Buschor, Elizabeth |
|
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
The treatment of a damaged lampshade painted by the American naive artist Sister Gertrude Morgan |
|
|
Berrett, Kory |
|
|
|
69-78 |
|
English |
| 26221 |
Ozone, Judy L. |
|
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
Examination and treatment of a pair of 18th century battledores |
|
|
Berrett, Kory |
|
|
|
79-84 |
|
English |
| 26222 |
Irgang, Harriet |
|
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
Introduction to the study of underdrawing in early Netherlandish painting |
|
|
Berrett, Kory |
|
|
|
85-101 |
|
English |
| 26223 |
Tomkiewicz, Carolyn |
|
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
Examination of a 14th-century panel painting attributed to Guariento di Arpo |
|
|
Berrett, Kory |
|
|
|
102-117 |
|
English |
| 26224 |
Tallent, Carolyn |
21414 |
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
Preliminary report on the use of lipase to remove oil overpaint |
|
|
Berrett, Kory |
|
|
|
118-119 |
|
English |
| 26225 |
Stromberg, Constance |
|
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
A comparison of wax treatments used in the conservation of outdoor bronze sculpture |
|
|
Berrett, Kory |
|
|
|
120-139 |
|
English |
| 26226 |
Lockwood, Anne |
|
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
The materials and techniques of 16th century Ottoman Isnik ceramics |
|
|
Berrett, Kory |
|
|
|
140-164 |
|
English |
| 26227 |
Hatchfield, Pamela B. |
|
Student papers presented at the Art Conservation Training Programs Eleventh Annual Conference, May 2 & 3, 1985 |
Formaldehyde: how great is the danger to museum collections? Part II |
|
|
Berrett, Kory |
|
|
|
183-208 |
|
English |
| 26228 |
Campbell, Lorne |
|
Le dessin sous-jacent dans la peinture. Le problème Maître de Flémalle-van der Weyden. Colloque III, 6-8 septembre 1979, Laboratoire d'étude des oeuvres d'art par les méthodes scientifiques, Université catholique de Louvain, Institut supérieur d'Archéolog |
The early Netherlandish painters and their workshops |
|
|
|
|
|
|
43-61 |
|
English |
| 26229 |
Frinta, M.S. |
|
Le dessin sous-jacent dans la peinture. Le problème Maître de Flémalle-van der Weyden. Colloque III, 6-8 septembre 1979, Laboratoire d'étude des oeuvres d'art par les méthodes scientifiques, Université catholique de Louvain, Institut supérieur d'Archéolog |
The style of underdrawing: to what extent is it reflecting a distinct temperament and how much is it indebted to a drawing tradition? |
|
|
|
|
|
|
73-84 |
|
English |
| 2623 |
Stoves, J.L. |
34954 |
Fibres |
Chemical Technology of Wool: Some Scouring Problems |
|
|
|
9 |
8 |
|
305-306 |
|
English |
| 26230 |
Viana, M.F. |
|
Le dessin sous-jacent dans la peinture. Le problème Maître de Flémalle-van der Weyden. Colloque III, 6-8 septembre 1979, Laboratoire d'étude des oeuvres d'art par les méthodes scientifiques, Université catholique de Louvain, Institut supérieur d'Archéolog |
Le dessin sous-jacent des fragments de Saint Joseph et Sainte Catherine attribués à R. Van der Weyden, de la collection du Musée Calouste Gulbenkian à Lisbonne |
The underdrawing found on fragments of St. Joseph and St. Catherine attributed to R. Van der Weyden, from the Calouste Gulbenkian Museum's collection in Lisbon |
|
|
|
|
|
85-88 |
|
French |
| 26231 |
Comblen-Sonkes, M. |
|
Le dessin sous-jacent dans la peinture. Le problème Maître de Flémalle-van der Weyden. Colloque III, 6-8 septembre 1979, Laboratoire d'étude des oeuvres d'art par les méthodes scientifiques, Université catholique de Louvain, Institut supérieur d'Archéolog |
Le dessin sous-jacent dans la Nativité de Dijon |
The underdrawing in the Dijon Nativity |
|
Hollanders-Favart, D.; Van Schoute, R. |
|
|
|
90-91 |
|
French |
| 26232 |
Faries, M. |
|
Le dessin sous-jacent dans la peinture. Le problème Maître de Flémalle-van der Weyden. Colloque III, 6-8 septembre 1979, Laboratoire d'étude des oeuvres d'art par les méthodes scientifiques, Université catholique de Louvain, Institut supérieur d'Archéolog |
The underdrawn composition of Rogier van der Weyden's St. Luke drawing a portrait of the Virgin in Boston |
|
|
Hollanders-Favart, D.; Van Schoute, R. |
|
|
|
93-99 |
|
English |
| 26233 |
Eich, P.; Engelsman, W.J.; Van Asperen De Boer, J.R.J.; Van Schoute, R. |
|
Le dessin sous-jacent dans la peinture. Le problème Maître de Flémalle-van der Weyden. Colloque III, 6-8 septembre 1979, Laboratoire d'étude des oeuvres d'art par les méthodes scientifiques, Université catholique de Louvain, Institut supérieur d'Archéolog |
Les panneaux de Francfort |
The Frankfurt panels |
|
|
|
|
|
101-111 |
|
French |