| 46412 |
Ericson, Jonathon E. |
12953 |
Occasional Papers in Method and Theory, Society of California Archaeology |
Obsidian hydration dating California |
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2 |
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44-52 |
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| 46413 |
Ericson, Jonathon E. |
12959 |
In book. Contexts for Prehistoric Exchange, N.Y., Academic Press, in press |
Production for obsidian exchange in California |
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| 46414 |
Museus, L.A.; Krasko, V.G. |
2887 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Using of electron x-ray photography for examination of paintings |
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3 |
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English |
| 46415 |
Mosk, J.A. |
2934 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Reference materials in the Central Research Laboratory |
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5 |
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English |
| 46416 |
Koller, Manfred; Ranacher, Maria |
2918 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Comparative studies in polychromy: Medieval architecture and other sculptures (The Courtyard - Chapel in Vienna) |
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13 |
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English |
| 46417 |
Cannon-Brookes, Peter |
2962 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
The transportation of a consignment of paintings from Cape Town to Southampton by sea, September, 1977 |
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6 |
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English |
| 46418 |
Groen, C.M. |
2919 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
The examination of five polychrome stone sculptures of the late 15th century in Utrecht |
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9 |
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English |
| 46419 |
Kaltenbruner, G.M. |
2920 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Late 19th century furnishings and decorations in churches of the Rhineland - reflections on the investigation of a specific cultural phenomenon with special attention to the technological aspects of polychromies |
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10 |
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English |
| 4642 |
Campani, Elisa;Casoli, Antonella;Dei, Luigi;Macherelli, Azzurra;Rossi, Daniele |
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The Care of Painted Surfaces. Materials and methods for consolidation, and scientific methods to evaluate their effectiveness. Proceedings of the Conference, Milan, November 10-11, 2006 (Third International Conference: Colour and Conservation, Materials a |
Identification of the materials present in the painting “Slaughter of the Innocents†by Matteo di Giovanni |
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CESMAR7 |
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169-171 |
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English |
| 46420 |
Birstein, V.J.; Naumova, M.M.; Tul'Chinsky, V.M. |
2922 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
An examination of some painting materials of several 15th century polychrome sculptures |
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9 |
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English |
| 46421 |
Birstein, V. Ia |
2923 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Comparison of gelatins isolated from grounds of polychrome painting of wood sculptures and easel tempera paintings of the 15th-18th centuries |
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7 |
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English |
| 46422 |
Cadorin, Paolo |
2874 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Groupe de travail: peinture du XXème siècle rapport du coordonnateur |
Working group: painting of the 20th century report of the coordinator |
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78/6/0/1-4 |
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French |
| 46423 |
Berger, Gustav A. |
2924 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Preventive conservation of painted objects |
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13 |
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English |
| 46424 |
Bosshard, Emil D. |
2925 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Discoloration of synthetic ultramarine. A case history |
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4 |
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English |
| 46425 |
Brambilla-Barcilon, Pinin; Matalon, Stella |
2926 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Techniques employées par le peintre Lucio Fontana et problèmes de conservation concernant son oeuvre |
Techniques used by the painter Lucio Fontana and the problems of conservation of his work |
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7 |
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French |
| 46426 |
Cadorin, Paolo |
2927 |
ICOM Committee for Conservation. 5th Ttriennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Aperçu des dangers specifiques auxquels sont sujettes les oeuvres d'art contemporain |
A summary of some specific dangers to which contemporary works of art are subjected |
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78/6/4/1-14 |
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French |
| 46427 |
Cadorin, Paolo; Veillon, M. |
2928 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
La peinture mate: definition. Techniques permettant d'obtenir l'effet mat: matériaux, modes d'application, vernis mats |
Mat painting: definition. Techniques that permit you to obtain a mat effect: materials, methods of application, mat varnish |
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78/6/5/1-4 |
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French |
| 46428 |
Bjarnhof, Steen |
2930 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Restauration d'une toile de Lucio Fontana endommagee par une laceration |
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3 |
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French |
| 46429 |
Gorine, I.P. |
2958 |
ICOM Committee for Conservation. 5th Triennial Meeting, Zagreb, 1 - 8 Oct. 1978. Preprints |
Au sujet des principes theoriques de restauration des oeuvres de la peinture d'icones russes anciennes, adoptes en URSS |
Theoretical principles behind the restoration of ancient painted Russian icons in the USSR |
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78/11/4/1-7 |
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French |
| 4643 |
Lavorini, Barbara;Orata, Luigi |
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The Care of Painted Surfaces. Materials and methods for consolidation, and scientific methods to evaluate their effectiveness. Proceedings of the Conference, Milan, November 10-11, 2006 (Third International Conference: Colour and Conservation, Materials a |
Consolidation of a “tempera magra†painting on canvas V.M. Bigari, Warrior offering a sacrifice, private collection |
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CESMAR7 |
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172-173 |
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English |