| 21211 |
Berger, Gustav A. |
|
Maltechnik/Restauro |
Conservation of a theatre curtain by Picasso |
|
|
|
83 |
1 |
|
51-56 |
|
|
| 21212 |
Berger, Gustav A. |
6371 |
Studies in conservation |
Unconventional treatments for unconventional paintings |
|
|
|
21 |
3 |
|
115-128 159-160 |
|
English |
| 21213 |
Brachert, Thomas |
|
Maltechnik/Restauro |
Die beiden Felsgrottenmadonnen von Leonardo da Vinci |
The two Virgins of the Rocks by Leonardo da Vinci |
|
|
|
|
|
44463 |
|
German |
| 21214 |
Anon |
16786 |
Paint. Decorat. J |
Preserving paints without poison |
|
|
|
96 |
1145 |
|
8 |
|
|
| 21215 |
Anon |
|
Technology & conservation |
Review of <i>Conservation and restoration of pictorial art, edit. By Norman Brommelle and Perry Smith |
|
|
|
1 |
3 |
|
32 |
|
|
| 21216 |
Anon |
10269 |
Art news |
The Vasari diary |
|
|
|
75 |
8 |
|
22 |
|
English |
| 21217 |
Clarke, John |
10274 |
Studies in conservation |
The Aboriginal rock art pigments from Western Australia; Theirproperties, use, and durability |
|
|
|
21 |
3 |
|
134-142 |
|
|
| 21218 |
Clouten, Neville |
10459 |
Search |
The photogrammetric recording of Australian Aboriginal rock art |
|
|
|
7 |
6 |
|
276-277 |
|
|
| 21219 |
Cobbe, Alec |
|
Studies in conservation |
Colourmen's canvas stamps as an aid to dating paintings: a classification of Winsor and Newton canvas stamps from 1839-1920 |
|
|
|
21 |
2 |
|
85-94 98-99 |
|
English |
| 2122 |
Vandiver, Pamela; Lacovara, Peter |
20068 |
Bulletin of the Egyptological Seminar |
An outline of technological changes in Egyptian manufacture |
|
|
|
|
7 |
|
53-85 |
|
English |
| 21220 |
Filippakis, S.E.; Perdikatsis, B.; Paradellis, T. |
|
Studies in conservation |
An analysis of blue pigments from the Greek Bronze Age |
|
|
|
21 |
2 |
|
143-153 159-160 |
|
English |
| 21221 |
Saleh, S.A.; Iskander, Z.; El-Masry, A.A.; Helmi, F.M. |
|
Recent advances in science and technology of materials |
Some ancient Egyptian pigments |
|
|
|
3 |
|
|
141-155 |
|
|
| 21222 |
Sarradet, Max |
|
Arbeitsblätter für Restauratoren |
Konservierung von Kunstwerken in unterirdischen Höhlen and Gängen |
The conservation of works of art in subterranean caves and galleries |
|
|
|
21974 7 |
|
53-60 |
|
German |
| 21223 |
Skaug, Erling |
11002 |
Mitteilungen des Kunsthistorischen Institutes in Florenz |
Notes on the chronology of Ambrogio Lorenzetti and a new painting from his shop |
|
|
|
20 |
3 |
|
301-332 |
|
English |
| 21224 |
Aben, Kees |
|
Arbeitsblätter für Restauratoren |
Schimmelbekampfung auf Terrakotten |
Combatting fungi on terracottas |
|
|
|
2 16 |
|
50-54 |
|
German |
| 21225 |
Aitken, M.J. |
10522 |
Archaeometry |
Thermoluminescent age evaluation and assessment of error limits: revised system |
|
|
|
18 |
2 |
|
233-8 |
|
English |
| 21226 |
Koller, Manfred; Mairinger, Franz |
|
Maltechnik/Restauro |
Bemerkungen zur Infrarotuntersuchungen von Malereien |
Remarks regarding infrared examination of paintings |
|
|
|
|
|
25-32 |
|
German |
| 21227 |
Levy, Alan |
10089 |
Art news |
The Rembrandt research project: old myths, new methods |
|
|
|
75 |
7 |
|
34-42 |
|
English |
| 21228 |
Mogi, Akira |
|
Science for conservation |
Restoration of a drum-clock kept in the National Science Museum, Tokyo |
|
|
|
|
15 |
|
84-87 |
|
Japanese |
| 21229 |
Petit, Jean |
1932 |
Icom committee for conservation. 4th triennial meeting, Venice, 13-18 October 1975. Preprints |
Examen chimique d'un vernis de la fin du 18ème siècle après viellissement naturel sur un tableau |
Chemical examination of a late l8th century varnish after natural aging on a painting |
|
|
|
|
|
75227-1 -10 |
|
French |
