50988
Accession Number
29776
Author
Leto, Elizabeth L.
Author Affiliation
State University of New York, College at Buffalo : Harvard University Art Museums. Straus Center for Conservation
Title Of Article Chaper
A technical examination of the Market Gardens at Vaugirard by Paul Gauguin
Title Of Journal Book
Papers presented at the Twentieth Annual Conference of the Association of Graduate Training Programs in Conservation, Washington, April 21-23, 1994
Pages
44225
Collation
29 p. : ills.
Reference Bibliography
18 bibliog. refs.
Publisher
Conservation Analytical Laboratory Smithsonian Institution
Publisher City
Washington
Language Of Text
English
Language Of Summary
English
Literature Type
Monograph:Proceedings
Literature Level
Analytic
Meeting
Twentieth Annual Conference of the Association of Graduate Training Programs in Conservation
Meeting Country
United States
Abstract
This research project consists of an extensive technical examination of a Paul Gauguin painting from Smith College called The Market Gardens at Vaugirard, 1879. The research was conducted in conjunction with research on Gauguin's early techniques by art historian Vojtech Jirat-Wasiutynski and paintings conservator Travers Newton. The examination of the painting in question is important for the understanding of Gauguin's early technique and the influence of the Impressionist painters. It was during this period that Gauguin was collecting Pissarro's work which had a marked influence on his own. Of particular interest is his palette and brushwork. Methods of investigation include x-ray fluorescence spectroscopy, infrared reflectography, and x-radiography. In addition cross-section samples of the paint film and pigment dispersions have been made, examined, and analyzed for elemental vontent. Other methods of analyses include scanning electron microscope, Fourier Transform infrarred spectroscopy, gas chromatography, and high pressure liquid chromatography. The results from these analyses were used for a comparative study for known techniques and materials used by Pissarro in contemporary works. A comparison has also been made with techniques and materials from early Gauguin paintings.
Keywords
Canvas painting; Technique; Material; Analysis -- ICCROM
pub_id
50988
Meeting Date
19940421-19940423