46323
Accession Number
19450
Editor
Grimstad, Kirsten
Title Of Article Chaper
Conservation of the canvas-work upholstery of twelve arm-chairs, the work of Andrea Brustolon, in the Ca'rezzonico, Venice
Title Of Journal Book
ICOM committee for conservation: 8th triennial meeting, Sydney, Australia, 6-11 September, 1987. Preprints
Volume
1
Pages
413-416
Collation
6 figs., 3 notes
Publisher
The Getty Conservation Institute
Publisher City
Marina del Rey
ISBN
0-89236-094-1
Language Of Text
English
Literature Type
Monograph
Literature Level
Analytic
Meeting
ICOM committee for conservation: 8th triennial meeting
Meeting Country
Australia
Abstract
The provenance of the 12 18th-century sumptuous chairs, padded and upholstered with embroidered panels is first indicated. The wood used is carved ebony and boxwood. The silk and wool embroidered motives are then described stylistically and illustrated. Drawings show where patches had been cut out or added on in support of the hypothesis that the same seat covers had originally been created for use on differently shaped armchairs. The state of conservation of the seat covers is noted as affected by the tension produced by the embroidery, weakening and losses due to normal wear and tear and insect attacks, and age old dust. The conservation treatment is detailed and involved cleaning (dusting and washing), finding solutions to functional and aesthetic problems with special attention paid to techniques of filling the losses, re-assembling, and the selecting of a transparent protective cover for the seats. -- AATA
Keywords
Chair 18th century Provenance;Chair Padding;Chair Upholstery; Panel Embroidery;Wood Ebony Carving;Wood Boxwood Carving;Silk Embroidery;Wool Embroidery;Chair Conservation Treatment;Seat Cover Protective; Brustolon, Andrea; Ca'rezzonico, Venice AATA
pub_id
46323