46112
Accession Number
35149
Author
Chico Selvi, Eva;Llamas Pacheco, Rosario
Title Of Article Chaper
Criterios de Restauracion de Capas Pictoricas Contemporaneas: El Arte Monocromo desde el Concepto a la Materia = Conservation of contemporary pictorial layers: monochrome art from the concept to the material
Title Of Journal Book
Arche: Publicacion del Instituto Universitario de Restaruacion del Patrimonio de la Universitat Politecnica de Valencia = Arche: The Journal of the Heritage Conservation Institute of the Polytechnical University of Valencia
Issue
44291
Pages
103-108
Collation
6 p. : ills.
Reference Bibliography
Includes bibliographic references
ISSN
1887-3960
Language Of Text
Spanish
Language Of Summary
English;Spanish
Literature Type
Serial
Literature Level
Analytic
Abstract
Throughout art history there have been many artists who have used Monochrome Art as an expression mode. Different artists and movements have treated this type of art, choosing the materials and method of manufacture and adapting it on their works, according to the intent and the message they wished to convey. Monochrome Art is primarily conceptual art and its meaning or message is closely related to the materials used and plastic qualities. The artist develops delicate and velvety surfaces, that would be affected by any slight change, rubbing or manipulation of the surface. The artistic concept perishable complicates the conservation and restoration of Monochrome Art collections because treatment in these works could change the intent by the artist. This article presents an interesting haul of various works that have been developed under these premises, and making a study theoretical and practical imperative for conservation.
Keywords
conservation;paintings;monochrome;art;contemporary;restoration;problem
pub_id
46112