44897
Editor
Thompson, Joel;Szuhay, Beth;Sutcliffe, Howard;Holden, Amanda
Title Of Article Chaper
Artist Interviews as Tools for Diligent Conservation Practice
Title Of Journal Book
The Textile Specialty Group Postprints
Volume
17
Pages
107-119
Collation
12 p. : ills.
Reference Bibliography
Includes bibliographic references
Publisher
American Institute for Conservation of Historic & Artistic Works
ISSN
15243664
Language Of Text
English
Literature Type
Serial
Literature Level
Analytic
Meeting
American Institute for Conservation of Historic & Artistic Works 35th Annual Meeting
Meeting City
Richmond, VA
Abstract
The governing respect for an art object and its unique character, to a great degree, is typified and qualified by its author. However, a work of art is fully realized when encountered by and interpreted by a viewer. When the interpreter of an artwork is a conservator, false impressions can lead to misguided practice. Therefore, it is of the utmost importance that a conservation professional exhaust every avenue to find the most reliable details before making treatment decisions. Whenever possible, the conservator should seek guidance from the artist in order to perform treatment consistent with the artist’s desired aesthetic. An artist interview conducted for the benefit of conservators should lead the artist toward answers which will inform conservators of the artist’s attitude toward intervention when faced with treatments. Video and/or audio recordings would provide future conservators and scholars with a context that might otherwise have been lost in mere transcription. Through documented interviews, artists can define their materials, processes and concepts for conservation and scholarly review. Most importantly, the overall attitude of the artist with regard to the artwork is crucial and can serve to inform conservation practice, even when certain technical details may have been forgotten.
Keywords
artist;interview;conservation;practice
pub_id
44897
Meeting Date
20070600