44058
Accession Number
26335
Author
Hackney, S.
Editor
Hackney, Stephen; Townsend, Joyce; Eastaugh, Nick
Title Of Article Chaper
The removal of dirt from Turner's unvarnished oil sketches
Title Of Journal Book
Dirt and pictures separated: papers given at a conference held jointly by UKIC and the Tate Gallery, January 1990
Pages
35-39
Collation
2 b&w plates
Publisher
United Kingdom Institute for Conservation
Publisher City
London
ISBN
1 871656 08 7
Language Of Text
English
Literature Type
Monograph : Proceedings
Literature Level
Analytic
Abstract
Many unfinished 19th-century paintings were not varnished. The types of dirt and pollutant likely to have been encountered by 19th-century paintings are discussed, as is dirt adhesion; underbound scumbles bind dirt less strongly than glazes. Cleaning can lead to a reversal of tonal values of dark and light areas in consequence. Never-varnished sketches, especially those by J.M.W. Turner, are discussed. Mars Plastic Erasers proved effective and safe, and produce better results than saliva or white spirit. Ammonium citrate chelating agents are also mentioned, as are protective coatings and other measures for the cleaned surface.
Keywords
oil painting;19th century;painting;pollutants;adhesion;cleaning; Turner, Joseph Mallord William (1775-1851);dirt;unvarnished;erasers; white spirit; ammonium citrate;saliva
pub_id
44058