The production methods and varying qualities of papier mâché are discussed. Originating in France in the early eighteenth century, papier mâché was refined by Henry Clay in the 1770's, when he lacquered or japanned it. Furniture had structural frames made of wood with mâché covering them. By the 1840's, Wolverhampton and Birmingham, England were producing large amounts of papier mâché articles. The pieces were painted and gilded and had mother-of-pearl added to the designs. By the 1860's, the pieces had become very garish and crude. These later pieces are not as valuable for collectors today. Detailing is explained to indicate what to look for and where to look, when buying papier mâché. In the 1930's, fakes were made as well, complicating the antique market. The names of some British antique suppliers are listed at the end. -- CCI=IC