42752
Accession Number
12094
Title Of Article Chaper
A study paper concerning oil paintings on a photographic base
Title Of Journal Book
Preprints of papers presented at the eleventh annual meeting of the American Institute for Conservation of Historic and Artistic Works. Baltimore, Maryland 25-29 May 1983
Pages
104-112
Publisher
American Institute of Conservation
Publisher City
Washington
Language Of Text
English
Literature Type
Monograph
Literature Level
Analytic
Meeting
Annual meeting of the American Institute for Conservation of Historic and Artistic Works. 11.
Meeting City
Baltimore
Abstract
Towards the latter part of the 19th century some artists advertised themselves as artistphotographers. As technical aspects improved in making portraits, photographers commissioned professional artists to paint the photographs to resemble oil paintings. Methods were invented to photo-sensitize the canvas surface on which the enlarged portrait was projected and fixed. The artist then applied oil paint directly on the silver image. The finished art work would later be varnished and placed in an ornamented frame. These paintings are not easily recognized as being based on a photo image. Notes are given on examination and conservation treatment.
Keywords
Photography, painting -- ICCROM
pub_id
42752
Meeting Date
19830525-19830529