The wax relining and surface gloss given these works are subject to harsh criticism. Such protection coatings destroy the tactile quality picasso intended. John Richardson indicates Picasso and Braque insisted that their Cubist works be matte and never varnished. Nude Woman arrived at the National Gallery in its current condition. At that time removal of the varnish would result in irreversible damage to the painting. William Rubin, MOMA, believes that there are instances when wax relining and varnishing are necessary to save the work of art. See also AATA 21-1928. -- AATA