33510
Accession Number
30999
Author
Sheridan, Alison; Eremin, Katherine; Shortland, Andrew
Editor
Vandiver, Pamela B.; Mass, Jennifer L.; Murray, Alison
Title Of Article Chaper
Understanding Bronze Age faience in Britain and Ireland
Title Of Journal Book
Materials Issues in Art and Archaeology VII: Materials Research Society Symposium, held November 30-December 3, 2004, Boston, Mass. : proceedings
Pages
217-229, ill., tables
Reference Bibliography
7 bibliog. refs.
Publisher
Materials Research Society
Publisher City
Warrendale
ISBN
1-55899-800-4
Language Of Text
English
Language Of Summary
English
Literature Type
Monograph:Proceedings
Literature Level
Analytic
Meeting
Materials issues in art and archaeology
Meeting Country
United States of America
Abstract
Interest in British and Irish Bronze Age faience dates back to 1812, when, based on the morphological similarity between British segmented breads and those from the Egyptian Eighteenth Dynasty, it was suggested that faience could have been imported from Egypt. Approximately three-hundred and fifty Bronze Age faience beads and pendants are known as having come from Britain and Ireland, mostly found in the burial sites of cremated human bone. An international research project led by the National Museums of Scotland investigated the origin, composition, manufacture and use of faience from Britain, Ireland and adjacent parts of mainland Europe. Non-destructive controlled-pressure scanning electron microscopy with energy dispersive microanalysis (CP-SEM-EDS), X-ray fluorescence (XRF) and binocular microscopy provide compositional and textural information. Wavelength-dispersive electron microprobe (EMP) analysis of rare polished samples provides additional and more accurate compositional information. The results demonstrate that direct derivation from Egyptian or Mediterranean faience traditions can be ruled out. The beads and pendants were manufactured on a small-scale basis, using a mixed alkali paste and glaze from plant ash sources (including seaweed) and a copper-based glaze colorant probably derived from bronze. Tin (or its oxide) seems to have been deliberately added. Various forming and glazing techniques were used. The authors demonstrate that some beads were worn during cremation; and they further investigated the effects of cremation on faience by experimentally cremating a pig wearing a newly-made faience necklace. -- ICCROM
Keywords
Ceramic; Faience; Technology; Archaeology; Examination; Microscopy; Scanning electron microscopy; X ray fluorescence; Non-destructive analysis -- ICCROM
pub_id
33510
Meeting Date
20041130-20041203