32754
Accession Number
25821
Author
Heimberg, Bruno
Editor
Mills, John S.; Smith, Perry
Title Of Article Chaper
The Munich Dürer attack: conservation and restoration of the damaged panels
Title Of Journal Book
Cleaning, retouching and coatings: technology and practice for easel paintings and polychrome sculpture: preprints of the contributions to the Brussels Congress, 3-7 September 1990
Pages
184-187
Collation
3 figs., appendix
Publisher
International Institute for Conservation of Historic and Artistic Works
Publisher City
London
Language Of Text
English
Language Of Summary
English
Literature Type
Monograph : Proceedings
Literature Level
Analytic
Abstract
In 1988, five paintings by Albrecht Dürer in the Alte Pinakothek, Munich, were seriously damaged by an attack with sulfuric acid. First attempts at cleaning showed that this would involve additional loss of original material. Since all the affected areas registered a pH between 1 and 2, thorough neutralization of the damaged portions seemed unavoidable. After experimenting unsuccessfully with wet chemical neutralizing solutions, it was decided to use the ion-exchange method. The ion-exchange resin was preconditioned in the laboratory and applied to the damaged areas in the form of a watery paste, working under a microscope. After drying overnight, the powdery compound was removed with a mini vacuum cleaner. This treatment was in most cases sufficient to reduce the acidity level to a moderate pH of 6 or 7. It was then necessary to consolidate the damaged areas. Partly because of the enhanced porosity of the exposed ground layer, and also to avoid unnecessary rewetting of the affected parts, a mixture of beeswax and dammar resin was chosen. A traditional wax-chalk filler will be used before retouching.
Keywords
panel paintings;sulfuric acid;cleaning;loss;neutralization; Dürer, Albrecht (1471-1528);ion exchange;resin; Alte Pinakothek (Munich, Germany); porosity;ground layer;beeswax;dammar; fillers;retouching
pub_id
32754