31811
Accession Number
35453
Author
Zagorska-Thomas, Natalia
Editor
Fairhurst, Alison
Title Of Article Chaper
Bakst where it belongs: reproducing polychrome silk painted panels of a costume by L Bakst for S Diaghilen’s Ballet Russes
Title Of Journal Book
Mind the Gap! Structural and aesthetic options for the treatment of loss in textiles. Forum of the ICON Textile Group, 27 April 2009, The Victoria and Albert Museum, London
Pages
75-83
Collation
9 p. : ils.
Reference Bibliography
Includes bibliographic references
Language Of Text
English
Literature Type
Monograph
Literature Level
Analytic
Abstract
The costume of the Temple Attendant designed by Leon Bakst for S Diaghilev’s famous Ballets Russes was conserved at the Zenzie Tinker Textile Conservation Ltd. in Brighton in 2008. The costume, now in a private collection of Olga and Ivor Mazure, was designed for a ballet entitled “Le Dieu Bleu” first performed in Paris in 1912 with a libretto by Jean Cockteau. When the costume arrived in the studio it was still structurally sound, but several elements within it required conservation to ensure its safety during an open ended program of temporary exhibitions. This included: full stitched support of the purple wool fabric, re-stitching and netting many of the metal braid decorations and solvent cleaning of the cream wool border of the tunic, where the heavy staining was beginning to cause chemical damage to the fabric.
Keywords
reproduction;silk;polychrome;textile;paint;panel;costume
pub_id
31811