The organ's history from construction in the 1760's to aquisition by the Victoria and Albert Museum, London is described. Restoration of the Scots pine and Norway spruce wooden casework was undertaken after assessing the condition. Dry-stripping and caustic-soda immersion were rejected as methods of paint removal in favor of methylene chloride immersion which was rapid and effective. All original paint was removed. After repainting, carved sections were re-glued with carpenter's white glue (polyvinyl acetate emulsion). Examination of old records showed the case had originally been larger, and it was thus restored to its original size. Sections of missing carving were made from Winsor and Newton's Barbola Paste. Final repainting with lead white paint will be undertaken. The erection of the case is discussed.