24918
Accession Number
26612
Author
Williams-Delaney, Marina M.
Author Affiliation
University of Delaware/Winterthur Museum. Art Conservation Program
Title Of Article Chaper
Reconstructing a Victorian Interior: A Study of the Subsurface in Whistler's Peacock Room
Title Of Journal Book
Selected Student Papers of the Seventeenth Annual Conservation Training Programs Conference, April 25-27, 1991
Pages
34-45
Collation
12 p. : ill.
Reference Bibliography
Includes bibliographical references
Language Of Text
English
Literature Type
Monograph
Literature Level
Analytic
Meeting
The Seventeenth Annual Conservation Training Programs Conference
Abstract
Harmony in Blue and Gold: The Peacock Room (1876-1877) by James McNeill Whistler, is housed in the Freer Gallery of Art, Smithsonian Institution, Washington D.C. The room, which is the only extant example of a Whistler interior, has long been considered a precursor to the popular artistic movement, Art Nouveau. It was originally a dining room in the home of the London art collector and shipping magnate Frederick R. Leyland. In the mid-1870's Leyland had commissioned the architect Thomas Jeckyll (not Whistler) to redecorate this room. Jeckyll did in fact accept Leyland's commission and he is responsible for all the architectural elements still present in The Peacock Room. In the spring of 1876, when Jeckyll was finishing his assignment at the Leyland residence, he asked Whistler to consult on some final details. This invitation is what eventually lead to Whistler's complete re-modelling whereby The Peacock Room, as it is known today was created. This study presents an artist's rendering suggesting the appearance of Jeckyll's interior design, as Leyland had authorized it and as Whistler first saw it. The influence that Jeckyll's room may have had on Whistler's subsequent masterwork is also addressed.
Keywords
victorian;interior;subsurface;Whistler;Peacock Room
pub_id
24918
Meeting Date
19910425-19910427