The author attributes a drawing, a fragment from the Last Supper, drawn in pen (and ink) and preserved in Berlin, to the Master of 1518. She points out the relationships between the composition, style, and manner of execution of this drawing to that of the painted panels of the Lübeck and Västeras I altarpieces. She demonstrates the influence of Dürer's woodcuts on the graphic qualities and shading of folds in this artist's work. She suggests that the drawing, possibly a project for the Västeras I altarpiece, might have been executed before 1516. -- AATA