19883
Accession Number
29577
Author
Berger, Gustav A.
Editor
Bridgland, Janet
Author Affiliation
Art Conservation Research Foundation, Ltd.
Title Of Article Chaper
Transparent lining of paintings
Title Of Journal Book
ICOM committee for conservation, 11th triennial meeting in Edinburgh, Scotland, 1-6 September 1996: Preprints
Pages
239-244
Collation
7 figs., 1 b&w ill., 9 refs.
Reference Bibliography
9 bibliog. refs.
Publisher
James & James (Science Publishers) Ltd.
Publisher City
London
ISBN
1-873956-50-8
Language Of Text
English
Language Of Summary
English
Literature Type
Monograph : Proceedings
Literature Level
Analytic
Meeting
ICOM Committee for Conservation triennial meeting (11)
Meeting Country
United Kingdom
Abstract
Some artists like to sign their names on the reverse of their paintings rather than on the face. Notably, Georgia O'Keeffe, Adolph Gottlieb, and Balthus, among others, always used the back of the canvas to put their signatures, date, and sometimes the place where the work was created. Oskar Kokoschka used the entire back of one of his self-portraits to write: Looking out of the picture am I, looking at me are you, 24 Dec. 1914 (in German). To preserve such important details, the author has utilized modern materials to develop his technique of transparent linings. The original system is described, and more recent materials and methods were added. A shortened version of an actual Conservation Report is given. Transparent linings are important for another reason as well: as do x-rays, they show any mistakes which might have been made during previous treatments of a given painting.
Keywords
Canvas painting; Conservation; Restoration; Lining; Both-side painting
pub_id
19883
Meeting Date
19960901-19960906