Japanese wall-painting covers all types of painting used to decorate large interior spaces of japanese buildings, including sliding doors and folding screens. Various painting styles and techniques generally coincide with chronological periods. In wall-painting on mud-plaster or plaster (askua and nara periods) mineral pigments were applied a secco to a priming coat of white kaolin-type clay (as in Horyu-ji). Wood in the Heian and Kamakura periods was covered by a kaolin priming coat, an ink line underpainting, then mineral and some organic pigments (as in the Phoenix Hall, Byodo-in temple). Of the Shoji panel paintings (Heian-Kamakura periods), silk stretched on wooden frames, less has survived, but there is a folding screen in Jingo-ji temple. A Chinese influence imported during the Muromachi period was that of paper stretched on wooden frames (fusuma paintings). Eight panels (1491) can be seen in the Shinju'an subtemple of the Daitoku-ji monastery, Kyoto. Paintings of the Momoyama and Edo periods can be seen in Nijo castle.