15679
Editor
Verger, Isabelle
Title Of Article Chaper
'A perfect ground is the very soul of the art' (Kingston 1835): ground recipes for oil painting, 1600-1900
Title Of Journal Book
ICOM Committee for Conservation 14<sup>th</sup> triennial meeting, the Hague, 12- 16 September 2005. Preprints Volume I
Pages
519-528
Publisher
James & James / Earthscan
Publisher City
London
ISBN
1-84407-253-3
Language Of Text
English
Literature Type
Monograph
Literature Level
Analytic
Meeting
ICOM Committee for Conservation. Triennial Meeting (14)
Meeting City
The Hague
Abstract
This article gives an historical overview of sizing and ground recipes for oil painting, collected from Western European sources dating from 1600 to 1900. Recipes have been entered into an electronic database, which allows them to be analysed according to various categories. Layer build-ups for different periods, supports and geographical areas are summarized. Differences were seen between Southern and Northern European recipes, with more red or brown grounds mentioned in Southern European sources. In general, strongly coloured grounds become less popular towards the 19sup>th</sup> century, with mainly light coloured grounds appearing in recipes from the second half of that period. -- CCI=IC
Keywords
Paint; Oil painting; Recipe; Sizing; Ground; Data base; Technique; Literary source; History -- ICCROM
pub_id
15679
Meeting Date
20050912-20050916