This publications covers chapters on: The Specious Uniformity of Italian Harpsichords; A Checklist of Fifteenth-century Representations of Stringed Keyboard Instruments; The Truchado Instrument: A Geigenwerk?; The Single-string Italian Harpsichord; Documents Dealing with the Ruckers Family and Antwerp Harpsichord-building; In Praise of Flemish Virginals of the Seventeenth Century; More about Flemish Two-manual Harpsichords; The Tabel Harpsichord; On Joes Karest’s Virginal and the Origins of the Flemish Tradition; and, The Earl of Wemyss’ Claviorgan and its Context in Eighteenth-century England.