13215
Accession Number
38809
Author
Mecklenburg, Marion F.
Title Of Article Chaper
The structure of canvas supported paintings = La estructura de la pintura sobre lienzo
Title Of Journal Book
Interim meeting, international conference on painting conservation: canvases, behaviour, deterioration and treatment: preprints
Pages
119-155 (English), 319-342 (Spanish) , ill., fig.
Reference Bibliography
17 bibliog. refs.
Publisher
Editorial UPV
Publisher City
Valencia
ISBN
84-9705-788-0
Language Of Text
English; Spanish
Language Of Summary
English; Spanish
Literature Type
Monograph:Proceedings
Literature Level
Analytic
Meeting
International conference on painting conservation = Seminario internacional de conservación de pintura: Congreso internacional de conservación y restauración de bienes culturales
Meeting Country
Spain
Abstract
Surveys work completed and continuing on the physical and mechanical properties of artists’ materials. Test results of the individual materials show that fabrics can develop high tensile stresses at high humidity, whereas paint and hide glues lose strength. It is also shown that where low humidity can increase the stiffness and strength of hide glues and oil paints, it is really low temperature that causes true embrittlement of paint films. Oil paints can become brittle as a result of being exposed to elevated temperatures and cleaning solvents, and if left in a moderately benign environment they remain fairly flexible. The mechanical properties of oil paints continue to change over long periods, well after they are considered to be dry. The pigments used in making paint have a significant effect on both the drying time and the ultimate mechanical properties of the paint.
Keywords
Canvas painting;Structure;Materials;Support;Support canvas;Glue;Gesso;Stretcher;Wood;Paint layer;Oil painting;Elasticity;Stress;Strain;Temperature;Relative humidity;Cleaning;Solvent;Deterioration;Pigment;Binder;Linseed oil;Tensile strength;Measurement
pub_id
13215
Meeting Date
20050309-20050311