This article reports on a continuing study of the stoneworking technology of the Lindenmeier Folsom. Production time, sequential stages of manufacture, and fluting technique are examined and discussed on the basis of extensive replication and experimentation, as well as of macroscopic analysis of one of the original Lindenmeier Folsom assemblages. Results of this study indicate that simplicity of technique, along with desired form, were crucial factors in the decision making associated with the production of the Lindenmeier Folsom.